1) Favorite revenge movie that's not POINT BLANK, GET CARTER, or ROLLING THUNDER:
Revenge is indeed a dish best served cold, meaning the seeker of vengeance should remain calm, cool and collected as they carefully plan, and extract the most satisfying punishment possible. Revenge is also the impetus for so many spaghetti westerns, kung fu and other such action / exploitation films. It's probably one of mankind's most base instincts, right next to love. It's a formula contingent on catharsis. Certainly the slow boil of Leone's Once Upon a Time in the West is a masterpiece thesis on these concepts.
But I'm going to proclaim what is sure to be an unexpected response as to one of my favorite revenge films. It is from a cold place, with a chillingly dry sense of humor, yet also exudes pathos that belies its characters' near-numbing nonchalance. In barely 70 minutes, Aki Kaurismäki's The Match Factory Girl (1990) tells the tale of a mousy female factory worker who leads a drab existence, is further wronged by life, and tries to get even. The fleeting moment of joy she enjoys when she wears a new dress and meets a mysterious man is soon shattered into tragedy. So what does she do? She quietly hatches a plan to avenge herself against the man that stole her last glimmer of hope. A large part of Kaurismäki's ouevere describes a certain temperament; characters bear a lackadaisical affect, perhaps partially due to living in a land that is sometimes almost without day, and sometimes almost without night, depending on the season. This is what comes across as particularly Finnish, the resignation towards one's fate in this climate. This attitude is reminiscent, conceptually at least, of the Japanese concept of mono no aware - 'to accept the passing of things.' Cold, as in 'a dish best served...' is a perfect way to describe a lot of Kaurismäki's work. And yet, his films derive much humor out of the desperate tedium his characters endure, surprisingly balanced with just the right amount of sentimentality (though some of his films are much more overtly predicated on playing our heart strings). Meet our heroine Iiris...
2) Favorite martial arts movie that doesn't star Bruce Lee, Jackie Chan, Jet Lee, Sammo Hung, Gordon Liu, Donnie Yen, or Tonny Jaa (Chuck Norris and Steven Seagal films don't count):
My first response is a little tricky. I have claimed The Prodigal Son (1981) one of my favorite kung fu films for years. Yuan Biao is the star, though director Sammo Hung has a supporting role as a kung fu teacher. It's a great mixture of kung fu, comedy, and pastiche meets parody, the way it self-consciously comments on, and makes fun of the genre, while satisfying its tropes with glee. Yuan Biao, Sammo Hung and Jackie Chan were in a frighteningly rigorous Peking Opera school together where they honed their physical abilities and affinity for pranks that makes their movies so much fun. There were two kung fu flicks I caught late night on channel 5 (way back when they still showed such stuff) that instantly became perennial favorites. 5 Superfighters (1978) is one of the most stripped down, near existential Shaw Brothers fight flicks in my mind. A baddie goes from town to town ridding the land of what he calls 'bad kung fu.' This guy is evil. He just fights for the sake of fighting, much like Tatsuya Nakadai's amoral samurai in Sword of Doom (another favorite). It's also a revenge film, as he beats a kung fu master, whose serious loss of face causes his three young students to seek revenge, allowing for lots of training sequences and displays of different styles. It's a period piece, and the villain wears a cloak, so it's got that superhero / melodrama sort of feel. But basically it's lots and lots of kung fu. Monkey Kung Fu (aka Stroke of Death) (1979) is a great kung fu comedy caper flick that gets off to an intriguing start with a small time thief learning the eponymous style from a mysterious old man in prison. It includes a great scene in a brothel, and is a generally rousing, funny adventure.
I really like The Loot (1980). With the twists and turns in its search for hidden treasure plot, it's like a spaghetti western transposed onto the kung fu paradigm. And great fighting!
Similar to how Tony Jaa and team revolutionized martial arts films with Ong Bak by showcasing a dynamic amalgam of Muay Thai and other styles, Welsh born director Gareth Evans, and star Iko Uwais brought us the exciting innovation of a fight film based around the Indonesian art of Silat in the surprisingly dramatic Merentau.